Politics & Society – Page 7

Capitalized upon

That was quick – so much for the debate I had hoped for! The New York Times will from henceforth capitalize Black when referring to people or cultures of African origin. (To which I made a rare comment asking for clarification concerning, for instance, indigenous Australians – being most certainly black/Black but not of African origin or least ways no more so than everybody else and not in the sense that the Times means. Suffice to say, no clarification was received!).

One could quibble endlessly with the (not very satisfactory) reasoning given, but it makes not much sense to do so – it is their publication and their choice, and certainly one that most reasonable people can live with.

I would only say, the debate may have lasted months in the newsroom (as per the internal letter to staff), but the public discussion certainly was not very long at all – we are just the loyal readers I suppose!

Herewith, a little digression in the interest of another of my grammatical eccentricities (faults!), and that is a tendency to be inconsistent with words with an -ise or -ize suffix – the former favoured/favored [sic] in British English, the latter American English. This comes to mind because I see now, in my first blog entry on this matter, I wrote capitalise and here capitalize.

Capitalising on the moment – Black or black?

a grammatical diversion

Being an inconsistency I too have noted in recent times, I link here to this NYT piece discussing the pros and cons of the adjective “black” as used in respect to race, being elevated, so to speak, to proper noun status; that is, a capitalised “Black”.

Not being one who is at all fundamental on this, though finding the grammar fuzzy, and also very aware of my own inconsistency (see any one of my previous blog entries), I would only say that the German capitalisation of ALL nouns has affected me (or infected me!) over the years and point out that it was, at the very least, a convention of the English language prior to the 19th century. Consider, for instance, the Constitution of the United States of 1787:

We the People of the United States, in Order to form a more perfect Union, establish Justice, insure domestic Tranquility, provide for the common defence, promote the general Welfare, and secure the Blessings of Liberty to ourselves and our Posterity, do ordain and establish this Constitution for the United States of America.
The Constitution of the United States – Preamble

Samuel Richardson’s “*Letters Written to and for Particular Friends*”

And then of course there are any number of literary examples; at the British Library there are gems in abundance, including this letter-writing manual of sorts from Samual Richardson, with fictional correspondence for all and every occasion, and that was to inspire his epistolary (and scandalous!) 1740 novel, Pamela.

As I say, I have not formed a definite opinion on this matter, but there is, I think, a certain linguistic elegance and SIMPLICITY beyond the political and social arguments parried in the NYT piece – though in this respect, it would be only consequential to extend the Black to include White and Brown (in context). But dare I mention all the Grey areas then open to dispute, and that social groupings (defined by common nouns) beyond those categorised by color (or Color) and sometimes deriving from adjectives and sometime not – eg. g/Gay, q/Queer, m/Migrant, r/Refugee – may have equally valid arguments. This could all lead to Man and Woman and all the subsets thereof, and I don’t know what J.K. Rowling would do with that…, and the Germans don’t know how lucky they are to have avoided THIS argument …but they have their own linguistic conundrum in dealing with matters of “race” – not to mention the little COMPLICATION of giving all their nicely capitalised nouns a GENDER!

Juneteenth

Much said of this Juneteenth in the last days, so I will just link here to an explanation at The New York Times, and here to a favourite NYT opinion writer of recent times, Jamelle Bouie – a young, black man with a lot to say, and who says it well – who gives his particular slant upon the celebration, and its place in commemorating the struggle for emancipation and freedom of black Americans.

To whet one’s appetite. I receive a newsletter from Bouie every week, with interesting stuff beyond his Times column, and he usually signs off with a “what I’m eating” bit which includes a recipe; giving away his delight in good food. Thinking about this and then reading this piece entitled – and I write it out because its says something – “A Juneteenth of Joy and Resistance”, in which four African-American chefs share their thoughts about this day, it is interesting to contemplate the celebratory role payed by food, especially when influenced by traditional and regional flavours, within a community. As one of those four, is the recently spoken of Eduardo Jordan, and the very special emphasis he places on West African cuisine in the “diaspora”, and his commitment to imparting to his guests (predominately white) its broader cultural significance.

Should one be hungry for more – food, knowledge or both – a favourable review of Padma Lakshmi’s new Hulu series “Taste the Nation” sent me to YouTube for a bonus episode (for Juneteenth) which has unfortunately now been removed. It was really very well done, and while focusing on the the culinary delights, gave some very interesting insights into the Gullah Geechee people of South Carolina – their culture and language – and their efforts to preserve the traditions of their ancestors, West Africans forced into slavery.

Lynching & other crimes

A Guardian article has brought to my attention a new report from the Equal Justice Initiative entitled Reconstruction in America – 1865-1867, documenting the violence perpetrated against black people in the twelve year period immediately following the Civil War, in which the hopes and promises of emancipation and equality were squashed by a brutal white supremacy ideology.

This report is the prequel, so to speak, to their 2015 report Lynching in America: Confronting the Legacy of Racial Terror that concentrated on the period after Reconstruction up to World War II.

Here is the video introduction, and would encourage all and everyone, as I will surely do, to dive deep into all the other material offered by the EJI, an organisation committed to a fight against racial injustice and mass incarceration.

llustration of EJI’s report, Reconstruction in America (http://eji.org/reconstruction).

I don’t think it would be untoward here to mention the originality and fine aesthetic of the animation – and in terms of the illustrations, just say Molly Crabapple.

An America Divided

Cover of “The Americans” by Robert Frank, Grove Press (2nd Printing, 1969)

At The New York Times an interactive photographic portrait of a photographic portrait – this latter, from the legendary 1959 book The Americans by Robert Frank. The cover of that book is a startling image of a street car in segregated New Orleans taken by Frank during a road trip through the United States in 1955-57, and the NYT piece by Arthur Lubow uses that image as the impetus for an interpretation and a comparative study against other works of visual art – exploring racial and social division, hierarchy, symbolism. I don’t need to say how powerfully this rings, but should mention how unwelcome Frank’s “America” was to critics of the day. Here is a link to a working print of the “New Orleans Trolley-car” from the Robert Frank Collection at the National Gallery of Art – more generally, a great online resource for looking at Frank’s extensive work.

June 2020

It is June 2020 and I find myself, just, and only sort-of, out of a “sort-of” lockdown, and now agonising over an adequate response to the antiracism revolt that is claiming the world’s attention; and that as a white person – privileged by not much except reasonable intelligence and health, but certainly aware of that granted by the colour of skin.

The “streets” are something for the young; should I be in the States I may well be tempted anyway, so extreme are the circumstances, but in Germany, though racism is as present as it is in other countries, the situation with the U.S. is relatable only up to a point – different democratic and institutional structures, different demographics and a different history mean a different fight to be fought; one that focuses on the shortcomings in this country rather than those elsewhere. There is an awful lot to be thought about, mostly coming down in the end to some honest reflection upon one’s own socialisation that may not be “racist” but certainly not without resentments and intolerance.

In terms of America, and my concerns stated elsewhere, I am reasonably well-read and informed on social issues, inspired often by literature or movies or contemporary events. And that’s always important – stay informed, and reliably so. And what one is ignorant of – educate oneself about. To that end, I am having a go at an edX course from Columbia University history department called The Civil War and Reconstruction. I do know some things, but I also know what I do not – and that is a lot! If not the root of all evil, then pretty close – the slavery, the civil war, the aftermath.

I read in the Frankfurter Allgemeine Zeitung today a rather timely culinary piece on the delights of New Orleans’ gumbo, that led to Edouardo Jordan’s JuneBaby restaurant in Seattle, which led me to its website and at the top of the Encyclopaedia page (which is an interesting cultural and culinary resource) this:

Mr. Jordan knows his customers and they seem to be mostly white – at least those to whom he is speaking in his five tips above. (Do I hear: “What to do, Eduardo?” And would a Black person even need to ask?) Some simple lessons to take from this: listen, learn, support. Really not very hard. In this matter; it is for others to set the agenda and some, like me, to follow. (Though of course some will not.)

Making connections

Connections these days seem to bombard one! Or maybe it is that they only ‘seem’ to do so, given time enough to contemplate, reflect and make connections that may otherwise pass unnoticed. This then in The New York Times today, criticising and giving an ultimatum of sorts to the renowned Poetry Foundation relate in some ways to my two previous posts; firstly, that in respect to my revisit in the last days to The 1619 Project, and secondly, one about a call from black and minority writers for equal consideration in publishing.

In a literary section of the Project, mentioned mostly for the point of mentioning Jesmyn Ward!, I did also enjoy very much a poem by Eve Ewing, probably because her subject, Phillis Wheatley, a most extraordinary woman, born in West Africa, sold into slavery as a child and transported as a young girl to Boston, was known to me (from a poetry course I did a few years ago), and Wheatley’s story is such that one tends not to forget, and Ewing’s verse honours her short, tragic life. Following is a poem by Phillis Wheatley; from the Poetry Foundation [sic].

On Being Brought from Africa to America

'Twas mercy brought me from my Pagan land,
Taught my benighted soul to understand
That there's a God, that there's a Saviour too:
Once I redemption neither sought nor knew.
Some view our sable race with scornful eye,
"Their colour is a diabolic die."
Remember, Christians, Negros, black as Cain,
May be refin'd, and join th' angelic train.

- BY PHILLIS WHEATLEY

Ms. Ewing is amongst the very many initiators of a letter to the Poetry Foundation criticising not only the Foundation’s tepid response to the current antiracism efforts, but more generally the lack of structural and financial support of marginalised groups. And they don’t pussy foot around with their demands!

Eve Ewing and Jesmyn Ward, poetry and prose; black and gifted and successful, but ready to fight this fight for writers of color, or those otherwise marginalised, who may not have a voice.

From the NYT article, one also learns of similar initiatives in the theatre. Could it be that there really is change afoot? Could this be the moment, the generation, to continue fulfilling dreams not dreamed out?

There are authors and there are authors

Coincidental to the racism discussion whirling about us in recent weeks; one thing leading to another, to another and so forth … then to Jesmyn Ward (see my last post), her picture in The New York Times today almost jumped out upon me.

In short, a #PublishingPaidMe has been making an impact (hesitate to say “gone viral” [sic]) highlighting as it does the disparity in advances given to white and black (and minority) writers in the United States (only the US?). Many writers are risking the ire of their publishers (and maybe even agents) and shining a not terribly flattering light on apparently inequitable structures in an industry that generally speaking tends to the liberal side of things. In respect to Jesmyn Ward the NYT reports:

Jesmyn Ward, a critically acclaimed novelist, said on Twitter that she “fought and fought” for her first $100,000 advance, even after her book “Salvage the Bones,” for which she said she received around $20,000, won a National Book Award in 2011. After switching publishers, she was able to negotiate a higher advance for “Sing, Unburied, Sing” — for which she won a second National Book Award, in 2017 — but, she said, “it was still barely equal to some of my writer friends’ debut novel advances.”

A spokeswoman for Bloomsbury Publishing, which published “Salvage the Bones” and Ms. Ward’s memoir “Men We Reaped,” said that the company does not comment on advances paid to authors, but that it was honored to have published her books.
The New York Times, June 8, 2020.

Love that:“…honored to have published her books”! So they god damn should be!