What to read this autumn: 2023’s biggest new books | Books | The Guardian

Sara Pascoe’s new novel, rare Terry Pratchett, memoirs from Barbra Streisand and Britney Spears, plus the essential reading on today’s hot button topics – all the releases to look out for
— Read on www.theguardian.com/books/2023/aug/26/what-to-read-this-autumn-2023s-biggest-new-books

Autumn is it absolutely not in the south of Germany! The warmest of sunshine, leaves barely tinged and little change in sight. But nevertheless it is a good time to start planning for days indoor. For this “The Guardian” has some good suggestions. Not necessarily those mentioned above in their pulled quote, though by Streisand I could be tempted. Of the others, some expected and therefore of no surprise: Zadie Smith, Mary Beard, Emily Wilson. And one who I will be particularly thrilled to read again after all her travails in the last few years: Jesmyn Ward – for this I have been waiting.

According to Emily Wilson

It is 26 September 2023 and Emily Wilson’s translation of Homer’s The Iliad is published today.

pub. W.W. Norton (2023)

To whet the appetite, some of the first reviews:

No, they have not been thoroughly read, but I can say the headers and quick scans of each suggest – more than suggest – high praise, and sung in unison. Which would delight the Muses no end. Emily Wilson, herself, seemed particularly taken with The Bulwark (not known to me – looks really interesting, but mostly sub. based) piece. As she tweeted:

Beyond the book, gossipy even (and adventurous: wouldn’t you like an assignment that takes you to Ithaca? And not that one in the Empire State), is Judith Thurman’s piece for The New Yorker “How Emily Wilson Made Homer Modern”. An entertaining read, though the “modern” of the title, if one is to understand correctly Wilson’s comments in the above thread where she makes a point of voicing her displeasure at a simple reception with the claim of “modernizing Homer”, is probably misplaced. Also, Charlotte Higgins’ piece in The Guardian a couple of weeks ago writes of the the technical choices Wilson contended with in her translation of the Iliad that culminated in today’s publication.

And at Lit Hub, Emily Wilson in conversation with her friend, Madeline Miller, reveals further insights into her methodology as a translator, the psychological depth of Homer’s poetry and into her character interpretations – also a great read:

And, finally, a diary entry unto myself: BBC Radio 4 Start the Week on Monday, 2 October – “The Iliad and the right to rule”. Adam Rutherford and his guests EMILY WILSON, Mary Beard and Ben Riley-Smith “explore the battle for power and the right to rule”.

I look forward so much to reading, reflecting upon, living with, this Iliad just as I did a couple of years ago with the Odyssey ‘according to Emily Wilson’ so to speak – a year long project that gave me great personal pleasure. But, first, I must get the book! And that seems easier said than done at the moment – in Germany at least!* But it does mean I can mull over a good (and doable) reading (and writing) schedule without undue haste. Until then.

*Reluctantly in the end I accepted Amazon delivery out of the US in a couple of weeks.

‘The Iliad may be ancient – but it’s not far away’: Emily Wilson on Homer’s blood-soaked epic | Classics | The Guardian

Following her acclaimed translation of the Odyssey, Wilson has turned to Homer’s other, darker poem. She explains how she got stuck for six months – and why it speaks to today’s era of conflict
— Read on www.theguardian.com/books/2023/sep/09/the-iliad-may-be-ancient-but-its-not-far-away-emily-wilson-on-homers-blood-soaked-epic

Stitches in Time

Of lists & threads – of the information they impart & the tale they weave

From my recent post and having been inspired by the newly (by me) discovered Gertrude Trevelyan and, therefore, as ever, by musings on Woolf, as one who had (probably) inspired her (and in more ways than the room and 500 quid), I had thought to write some more on the Pargiters. But, as I am only right now going about, and rather ponderously at that, re-reading and writing up Woolf’s diary that covers that period immediately following her speech to the National Society for Women’s Service on 21 January 1931 from which The Years (as lived by the Pargiter family) would evolve (and not in the way Woolf had at that time envisaged), I realize now this to be a more complex exercise than I thought; it seems there is a lot to be said on literary method and creative choices, and deserving, therefore, of greater attention. Simply said: this, whilst not exactly relegated to the bucket list, a task to be held in abeyance until I have pulled the very many threads together to do it justice.

…as “threads” with their own “tale to tell” – hanging there like stitches in Time […] so cleverly entwined that they become inherent to the composition; implemented to establish the focus, shift the perspective – visual or temporal …

On which, then, this thread must find an end … but just before finishing up on Trevelyan’s book (and the Trevelyans), it has occurred to me that I didn’t previously emphasize one particular characteristic enough. From the very first page, the novel’s narrative is interspersed by the listing of factual events – some short, some long; from close to home and from far shores; some of historical significance such that they are still familiar but very many now lost in the passing years; and which David Trotter in his essay variously refers to as a “database”, “news crawl”, or as “threads” with their own “tale to tell” – hanging there like stitches in Time. But they are so cleverly entwined that they become inherent to the composition; implemented to establish the focus, shift the perspective – visual or temporal, often reflecting out of or into Katherine’s classroom, or Robert’s lab or bed-sit.

An unusual stylistic choice, and one that could easily date a book; and one that may have contributed to Trevelyan’s novel disappearing into obscurity for so long – others perhaps making the (superficially based) decision that later and contemporary readers would be put off by (or ignorant of) the real world goings on during those between the wars years.

Finally, I end with the admission that I can not think of a book quite like Two Thousand Million Man-Power. (Writing about the same time but on a grander scale, Dos Passos – sorry a gap in my education! – is mentioned as one employing a similar methodology.) Coming to my mind is only a song – albeit, a list song – that tracks the post-war years in the second half of the century, and that has special significance to me (another story!). Radically different, yet with something in common, these two listings of the people and events of different generations – strewn realities to be made palpable, and therefore relatable, only with the sensory overload stimulated by the natural phenomena of noise and fire respectively. Take it away … Mr. Billy Joel!

Very British families all…

these Trevelyans & Gladstones

From The Observer (via The Guardian website), a report that members of the Gladstone family – that is, descendants of Sir John Gladstone – will travel in the next days to Guyana to apologize for their historical involvement in slavery in the region and, presumably, offer some reparations. The Guardian wouldn’t of course be The Guardian if it didn’t immediately shift the focus from Sir John to his son, William (UK Prime Minister on no less than four occasions in the last half of the 19th century), and thereby to the UK government – Liberal, Tory what’s the difference? – and the Royal Family but of course! Fair enough, on their (that is, The Guardian’s) part – though so bleedin’ obvious.

In his earlier parliamentary years, the younger Gladstone appears not to have been critical of the plantation and slave system in the Caribbean nor his family’s involvement, and, whilst he accepted the 1833 Abolition of Slavery Act, he did so only on the proviso of a gradual emancipation (in their best interest, of course! – a viewpoint more than just paternalistic, rather coming from a place we would recognize as based on racist assumptions) and the adequate compensation of slave owners (of which his father became a prominent beneficiary). Later, as Prime Minister, his record is more mixed – on one hand he seems to have ’emancipated himself’ from his father by supporting international trade reforms that prioritized anti-slave companies, on the other, during the American Civil War, his support of the Union effort was tepid (he presumably thought the Confederacy would win). When it’s all said and done though, it would be fair to conclude that William Gladstone had more moral character than his father.

That, a digression, off the top of my head and with a quick – very quick – internet search; not terribly satisfactory but to continue I would need to do a more thorough research into the political history of the UK during this period and, more specifically, the anti-slavery movement and its consequences for the greater politic. I will say though that I find it commendable that there is a generation living now, and beyond academia, taking familial baggage upon themselves. Whose to say – and I can not presume to, only to wonder out loud – where self-interest in terms of reputation and the psychological burden of history – the sins of the fathers – ends and genuine moral atonement begins. And it is not just the Gladstones: of course the Windsors and all its preceding and related nomenclatures (the King has stated his support of a review into the Crown’s responsibilities); the Harewood/Lascelles (an unusual making good described here); The Guardian ‘family’; but, also, for instance, the Trevelyan family with whom I have found myself spending time of late.

Earlier this year, members of the Trevelyan family traveled to Grenada to apologize for its historic ownership of slaves and for the compensation it received in the wake of the abolition of slavery. One of those was the former BBC journalist, Laura Trevelyan, and her report on the event can be read here. Presumably their family’s involvement in the dark side of colonialism, is all very new to its members, and only came to light when two of them (John Dower and Humphrey Trevelyan) were trawling a database. What information it was, and from whom, instigated the family’s investigation after all this time is not divulged, but one can presume it was externally motivated. Certainly, it is only relatively recently that academia – and a new generation of academics – have forced the issue in a big way. (And the media has played its part – something like this, for instance, which makes mention of the stately home gifted to the National Trust by C.P Trevelyan.) And, I don’t suppose it matters. But ignorance does matter. Granted, no PM in their tree like in the Gladstone’s, but a Trevelyan did ‘kind of’ invent the modern civil service of the nineteenth century, and they are an extraordinarily storied British family. Seriously, why, given the privileges many of them still have to this day, did so few in the family previously have much of an interest in their forebears? Well, perhaps not, but … In her introduction to a book she wrote about her family in 2006, titled A Very British Family, at least Laura Trevelyan outs herself in genealogical ignorance and moves to rectify this. But, it should be said, she must not have delved too deep. I have only browsed her book (I would warrant, knowing what she knows now, she may like it to disappear), but from what I can see, slavery comes to the fore only in the positive context of abolitionism and the Clapham Sect. And, more broadly, colonialism gets somewhat of a pass. (Diverging, nor does she seem to have come across Gertrude, but then Trevelyan’s focus was on her immediate family.)

Having started with the Gladstones, I will end with them in union with the Trevelyans in the latter half of the 19th century. Sir George Otto Trevelyan (the father of C.P, R.C. & G.M), though a generation or so younger, was in fact a constant in William Gladstone’s government(s) throughout much of his long period(s) in office, but was not born at the time the young parliamentarian Gladstone argued as an apologist for his father and other plantation and slave owners (the Trevelyan family, for instance) and their right to compensation in the wake of abolition. Two men bound politically, but also bound by their respective family interests. It reminds one how very resilient family loyalties are – whether emotional or mercenary or both – and how very often they trump reason and seek to mitigate great injustices. One could say nobody should have to pay for the sins of the fathers, but those very bonds, and the acceptance of them, suggests otherwise – inheritance can not be selective, it’s all or nothing.

G.E. Trevelyan was not a bloke

David Trotter’s review in the LRB of the re-discovered and re-published novel, Two Thousand Million Man-Power by Gertrude Trevelyan was interesting enough such that I downloaded a copy post-haste. And I read it likewise. Not so the writing up, but then both the novel and the review encouraged some deeper reflections on my part.

Enough that Trotter begins: “Gertrude Trevelyan lived the Virginia Woolf dream: £500 a year and a room of one’s own in which to write experimental novels. […]” And enough that that room has been foremost on my mind (again!) during the last days.

Two Thousand Million Man-Power by Gertrude Trevelyan Boiler House Press, 297 pp., November 2022, 978 1 913861 85 8

Whilst now finding herself published as Gertrude T., the times in which the writer lived were such that this and her other works were originally put out in a frenzied world by the androgynous (sounding) ‘G.E.’. Whether this had been her own decision, suggested to or forced upon her, who could say, but it may well have been also a personal swipe at the dynastic overgrowth and the familial predilection to initials. Where exactly she, formerly known as G.E., fits into this constellation is anyone’s guess. To name but a few: there was that distant cousin (so says Trotter): G.M. Trevelyan. But also his elder brothers: C.P, who got the title and the middle brother R.C. – ‘BobTrev’ to his friends, including the Woolfs (this not mentioned by Trotter), and as ‘Bob’ frequently mentioned in Virginia Woolf’s diary and in her letters. It is, though, the first said, George Macaulay T., that gets the treatment in A Room of One’s Own – the preeminent historian of his time was after all just there for the blokes!

History scarcely mentions her. And I turned to Professor Trevelyan again to see what history meant to him […] Occasionally an individual woman is mentioned, an Elizabeth, or a Mary; a queen or a great lady. But by no possible means could middle-class women with nothing but brains and character at their command have taken part in any one of the great movements which, brought together, constitute the historian’s view of the past. […]She never writes her own life and scarcely keeps a diary; there are only a handful of her letters in existence. She left no plays or poems by which we can judge her. What one wants, I thought—and why does not some brilliant student at Newnham or Girton supply it?—is a mass of information; at what age did she marry; how many children had she as a rule; what was her house like, had she a room to herself; did she do the cooking; would she be likely to have a servant? All these facts lie somewhere, presumably, in parish registers and account books; the life of the average Elizabethan woman must be scattered about somewhere, could one collect it and make a book of it.

Virginia Woolf. A Room of One’s Own (Kindle Locations 547-555). Kindle Edition.

This comes after Woolf has unsuccessfully excavated G.M. Trevelyan’s History of England (1926) in search of women through the ages, mused that the contemporary student (of say Newnham) could do such research better than her, and then would be inspired to famously imagine that Shakespeare had a sister called Judith. (The part of the essay that everyone remembers!)

“Social Survey of the World Today” by Ian Colvin in Universal History of the World Vol. viii 1927

David Trotter claims in his review of Gertrude Trevelyan’s novel that the unusual – obscure, even – title of the book, divulging scant hint of the narrative to follow, derives from a chapter written by Ian Colvin in the final volume of a certain – also, obscure – Universal History of the World in 1927. There is little reason to doubt this. Only in the reading does the title make sense.

Having said that, I admit to some uncertainty as to the sense in which the novel was conceived and intended to be received. Does Trevelyan want to instruct, convert, persuade? Is she calling upon the reader’s good sense of being a citizen of the world – a common sense to navigate a society undergoing radical change? Or is it more personal than that – a work of introspection? An attempt to reconcile the sensory from within with the reality from without? This latter I find plausible – also imaginative and daring. Any wonder that I am undecided when the author may well have been herself, and is studiously tracing her changing perspective in this her chosen narrative.

It may be (as Trotter suggests) that Gertrude Trevelyan was thinking about something that could be broadly described as a novel of ideas – a philosophical tract on the social (dis)order arising out of the inherent (but surely not irreconcilable?) tensions between labor and commerce and, within that context, man and machine. And, then, found in the writing, her own positions were anything but fixed; shifting with the same tempo as the society about her; Trevelyan calling upon her own sensory attributes and experience to navigate through her own journey of rational discovery – in a literary sense – and illustrated well by her characters’ growing sensitivity to the pulsation of progress about them, the growing ‘noise’ of modernity.

[…]He goes home and has supper and lights a pipe while he waits for the wireless stations to close down at ten. He sits and smokes, feet on fender, and waits for the noise to stop. Twenty thousand new houses erected in one year, two hundred and seven persons killed in London streets in three months, wireless station, one of the world’s greatest, completed at Rugby, motor firm turns out forty-eight thousand seven hundred and twelve cars in 1925 against three hundred and thirty-seven in 1919, it is found necessary to install soundproof floors in a mammoth block of flats in Park Lane, the B.B.C. institutes a transmission of dance music until midnight — “dance music the backbone of British broadcasting” — every day with the exception of Sundays. Robert clenches his teeth and tries to concentrate: he thinks if he had Katherine there to keep him to it he might be able to get more done.

Trevelyan, Gertrude. Two Thousand Million Man-Power (p. 64). Boiler House Press. Kindle Edition.
Continue Reading …

Keeping the dream alive

Today is the 60th anniversary of the March on Washington (for Jobs and Freedom). The extraordinary visuals and atmospherics of that hot summer day, now long ago, in the nation’s capital – the warmth emanating from that place and the crowds that filled it, the affirmation to a faith that had sustained, the richness of words and music reaching its crescendo in the “I have a dream” speech delivered by Dr. Martin Luther King (Jr.) before the Lincoln Memorial – are the stuff of which legends are made. In the air was hope rather than despair, a promise of better days. A dream for all ages.

Dr. Martin Luther King, Jr.’s “I Have a Dream” speech, delivered on Aug. 28, 1963, on the steps of the Lincoln Memorial.

What remains all these years on? The sonorous tones of Dr. King and Mahalia Jackson, imbued with the words and music according to any Gospel, soar today as then, but humanity without hope is a humanity not fulfilling its promise, and for many peoples, in all corners of the world, that is the reality. On this day to recognize that that reality still applies to many Black people living in the most powerful nation on the earth can fill one only with anger – and it especially must do so for just those people; for they the descendants in spirit of the multitudes who would have left Washington that day sixty years ago infused with Dr. King’s dreams, his lyrical words ringing in their ears. It is the legacy of each generation to embrace the spirit of that day and, in each, in their own way keep those dreams alive.

That, a lesson in positivity, now …

The year after the march, the Civil Rights Act (1964) was signed into law, but in 1967 Martin Luther King, Jr.’s dreams seemed as far from fulfillment as ever, impelling him to deliver the below embedded speech at Stanford University – sometimes titled “The Other America”. Startling, to me, is the extent to which King’s disillusionment has grown in the passing of so few years. No longer does he feel convinced that alone the good will and essential kindness of many will win over the day, rather that the few (or just as many) are embedded so deep in the power structures and institutions of the nation that a more radical approach is demanded. Eloquently he deconstructs the so-called “white backlash”; as if it describes some kind of reasonable reaction to the realignment of society brought about by civil rights and the accompanying activism (and militantism) when it was, in fact, a response triggered by inherent racial animosity.

Martin Luther King, Jr. at Stanford University on April 14, 1967

“I Have a Dream” is beautiful. Tragically, “The Other America” is closer to the reality. A year later on April 4, 1968, Martin Luther King, Jr. was assassinated in Memphis, Tennessee.

In the Spring of ’48

Christopher Clark has a new book. As I have read and enjoyed two of his previous works ( Iron Kingdom on the rise and fall of the Prussians, and The Sleepwalkers which offers a new perspective of how World War One was sought of stumbled into), I will certainly be reading Clark’s newest tome, Revolutionary Spring. The things that were going down in 1848! And at 876 pages, a tome it is! Not alone for that reason, also owing to an extreme backlog of reading material, I fear I will not be getting to it for a while. But Clark’s stuff, however wonderfully written, is dense in subject matter so it is best to be prepared. To this end, here are a pair of links that will encourage.

Firstly, the best primer is probably Christopher Clark’s LRB Winter Lecture in February 2019 – embedded below; and transcribed in the magazine a couple of weeks later as “Why should we think about the Revolutions of 1848 now?” perhaps not verbatim but close to in Vol. 41 No. 5 · 7 March 2019. (I certainly am going to have another look at this!)

LRB Winter Lecture: Prof. Christopher Clark asks why we should think about the Revolutions of 1848 now. Recorded at the British Museum on 15 February 2019.

Then, a couple of excellent reviews: Neal Ascherson’s piece in the LRB (Vol. 45 No. 11 · 1 June 2023) and that from Harold James in Project Syndicate which is titled “The First Polycrisis”; taking up Clark’s terminology and argument of the parallels between that year of crises and our own time.