BBC – My Own RE:public

The Beebs at 100

Since 1922 (it just had to be 1922!) the BBC has informed and entertained at home and abroad; during times of empire – its waning and its demise; in war and peace; through political turmoil and social upheaval. In these days of instantaneous communication and the new media that has evolved out of it, she navigates gingerly through troubled waters but, hopefully and with good will and chance, is in no real danger of sinking anytime soon – with or without the license fee, meddling politicians, the next app, or the next big thing.

With a timeline to be explored either by year or thematically, and thoughtful collections of 100 objects, 100 faces and 100 voices that have been accumulating over the year, the BBC proudly displays the first century of their being.

Whether the Coronation Map of 1953, David Attenborough’s rejected job application (an ‘oversight’ that was thankfully quickly reversed!) or the Monty Python animations of Terry Gilliam, especially the objects category offers surprises and something familiar for almost everyone.

And from the beginning, women were there; in many roles, mostly unheralded, underpaid and pawns to the patriarchal structures of … Auntie Beeb! For me the name Hilda Matheson jumps out; she who shared with Virginia Woolf (who wrote of her disparagingly – that, enough to make one curious) the affections of Vita Sackville-West. Specific to her work with the BBC, this blog entry is very interesting, and illustrative of what the ‘girls’ were up against.

During my exploration of the celebratory website, links to the Radio Times were prevalent and it turns out that the Programme Index includes amongst its (searchable) historical listings also digitized copies of the Radio Times. One way (should the time allow) of appraising the societal history of the United Kingdom over the last century – thinking about how far it has come and imagining how far it could go.

Amongst the great lives, one very great life

John Maynard Keynes

Most people take the economical way to Keynes! Not so me – rather, beyond name recognition, my introduction to one of the greatest economists of the 20th century came via the Woolfs, in whose lives and amongst the other brilliant players in “Bloomsbury”, Maynard Keynes played a significant role. Love it that the young British playwright, James Graham, should choose him as a “great life” in the BBC Radio 4 “Great Lives” series. I hope he retains his enthusiasm, for what great stuff there is in this life – for theatre or for film!

Start the Week…

with Marilynne Robinson et al.

Always a very good listen, but I was especially delighted with Marilynne Robinson being a guest on Andrew Marr’s BBC Radio 4 program “Start the Week” this morning. Here it is at Spotify (also available as podcast at Apple.)

Andrew Marr talks to Marilynne Robinson and Rowan Williams September 28, 2020.

Robinson discusses her new novel in the context of her wider work and concerns in the modern world; both the sacred and the profane. Her co-guest is Rowan Williams, former Archbishop of Canterbury, who speaks on the 16th century Benedictine monastic tradition; subject of his recent book The Way of St. Benedict, and its relevance now.

With such a pairing one expects the sacred to win out, but Marr ensures the more profane does not come up short. For me, at least, a very nice start to the week.

stories that move & shape

Writing about Kamila Shamsie’s Home Fire the other day, I remembered that it was on a list from the BBC of so-called “Novels That Shaped Our World” that turned up at the end of last year. Returning to look at this list again now, it seems to me that it is an interesting resource. They are all English language novels, that in itself minimising the selection, and the choices (from a group of literary sorts – writers, critics, etc.) are as idiosyncratic as one would expect, but certainly well worth perusing just the same. The books are organised thematically – for instance, identity, society, romance – and there are also lots of internal links to related media.

On reflection, I must also say that it was often not the absolute classic that meant so much to me at a particular time in life and that I remember still, so that perhaps explains some choices that I see as somewhat abstruse. There are a also a few selections that surprise and delight me.

My Picador paperback copy of “Cloudstreet”

For instance, Cloudstreet by Tim Winton, chosen by someone (whom?) and included in the “family” section. Should I be asked to name my favourite books, or those having had a profound effect on me, I would not have immediately thought of it. But now prompted, it occurs to me that long ago it having been sent to me from the opposite end of the world somewhere, reading Cloudstreet was a little like carrying all the grandeur and smallness, all the cruelties and generosities of a whole continent around in my pocket. I loved it. It positively reeked of Australia, and maybe it didn’t “shape my world” exactly but it certainly gave me good company when that was sorely needed. And what more can one ask from a good read?

The reality of writing

novelist, poeT, playwright: Writers ALL

A very interesting event at the British Library, organised by BBC Radio in conjunction with the Royal Society of Literature, in which some very fine contemporary British voices – Ali Smith, Jay Bernard and James Graham – discuss the complexities that arise at the intersection of art with real life events.

It is interesting how they all see their literary forms as a reflective and often non-deliberative response that is essentially different from that of journalism or reportage in that it creates the space to explore nuance and ambiguity and place it beyond the specificity of time; creating context and texture that questions and enhances the everyday experience.

To take the analogy (of the intersection, which I think is mine) further; as at the road intersection, collisions have a way of occurring irrespective of rules and intentions.

I should say that this was, in the first instance, broadcast on Radio 3 in their Free Thinking programme, but it is also embedded in a really excellent podcast called Arts & Ideas available on the website or also at Apple.