{"id":7114,"date":"2020-12-03T16:27:00","date_gmt":"2020-12-03T15:27:00","guid":{"rendered":"https:\/\/stolb01web.ddns.net\/wordpress\/?p=7114"},"modified":"2022-04-08T15:22:44","modified_gmt":"2022-04-08T13:22:44","slug":"one-thing-leads-to-another-2","status":"publish","type":"post","link":"https:\/\/stolb01web.ddns.net\/wordpress\/?p=7114","title":{"rendered":"When one thing leads to another"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">Listening to <em>BBC Radio 4<\/em> this morning, as I mostly do, and with various degrees of attention, I caught up with, for the first time in quite a while, Melvyn Bragg&#8217;s long running cultural programme <a href=\"https:\/\/www.bbc.co.uk\/programmes\/b006qykl\" target=\"_blank\" rel=\"noreferrer noopener\">&#8220;In Our Time&#8221;<\/a> &#8211; the topic: Fernando Pessoa. This, a name, ringing somehow familiar, but hard to place.  May I be forgiven my ignorance, for he is a man of many names &#8211; just check out<a rel=\"noreferrer noopener\" href=\"https:\/\/en.wikipedia.org\/wiki\/Heteronym_(literature)#Other_writers_and_their_heteronyms\" target=\"_blank\"> this impressive list of heteronyms<\/a>! Now somewhat enlightened, I will surely dedicate some attention to him (or them!). On the <a rel=\"noreferrer noopener\" href=\"https:\/\/www.bbc.co.uk\/programmes\/m000q0yj\" target=\"_blank\">programme website<\/a> are a number of references, that may offer a good start.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">As is often the case with me, one thing often leads to another. In the process of  googling Pessoa, a link was returned to a <em>NYT<\/em> Q &amp; A <a rel=\"noreferrer noopener\" href=\"https:\/\/nyti.ms\/2JAnKbN\" target=\"_blank\">interview with the academic Andr\u00e9 Aciman<\/a> from last year; in which (amongst other things) he names Pessoa&#8217;s <em>The Book of Disquiet<\/em> as &#8220;the last great book&#8221; that he had read.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Skimming through the piece further, I was immediately distracted &#8211; irritated would be a better description &#8211; by Aciman&#8217;s  assertion that <em>Mrs. Dalloway<\/em> is overrated &#8211; neither &#8220;gripping&#8221; nor &#8220;interesting&#8221;, he states &#8211; and badly written!  Each to his own, I could say; reading after all is a very subjective activity. That <em>Mrs. Dalloway<\/em> doesn&#8217;t interest him, well so be it; though one is tempted to presume that he doesn&#8217;t know terribly much about her person nor her writing life and how they intersected to produce her fiction, for should he do so, <em>Mrs. Dalloway<\/em> could not help but enthral. But that a literary scholar would fail to recognise the consistent quality of Virginia Woolf&#8217;s prose surprises me. I mean to say, Woolf&#8217;s hastily scribbled asides to herself (diary) or others (letters) are mostly always <em>druckreif<\/em> &#8211; whether fragmentary gems of observation or gossipy meanderings. And her fiction, absolutely so, even when structurally imperfect or not to her satisfaction. <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">What is interesting, and probably unbeknownst to Aciman, is that some of the names he drops (we won&#8217;t count Proust &#8211; of whom he is an expert and Woolf a devotee) were likewise people of interest also to Virginia Woolf a long time ago.  <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Firstly, Dorothy Strachey. Yes, one of the Stracheys! But I couldn&#8217;t think which, and then realised that Woolf always referred to her by her married name of <a rel=\"noreferrer noopener\" href=\"https:\/\/en.wikipedia.org\/wiki\/Dorothy_Bussy\" target=\"_blank\">Dorothy Bussy<\/a>. <\/p>\n\n\n\n<figure class=\"wp-block-image size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/stolb01web.ddns.net\/wordpress\/wp-content\/uploads\/2020\/12\/StracheyFamily.jpg\" alt=\"\" class=\"wp-image-7117\" width=\"638\" height=\"442\" srcset=\"https:\/\/stolb01web.ddns.net\/wordpress\/wp-content\/uploads\/2020\/12\/StracheyFamily.jpg 851w, https:\/\/stolb01web.ddns.net\/wordpress\/wp-content\/uploads\/2020\/12\/StracheyFamily-300x208.jpg 300w, https:\/\/stolb01web.ddns.net\/wordpress\/wp-content\/uploads\/2020\/12\/StracheyFamily-768x532.jpg 768w\" sizes=\"auto, (max-width: 709px) 85vw, (max-width: 909px) 67vw, (max-width: 984px) 61vw, (max-width: 1362px) 45vw, 600px\" \/><figcaption>Sons and daughters of Sir Richard and Lady Strachey. Left to right: Marjorie,&nbsp;<a href=\"https:\/\/en.wikipedia.org\/wiki\/Dorothy_Bussy\">Dorothy<\/a>,&nbsp;<a href=\"https:\/\/en.wikipedia.org\/wiki\/Lytton_Strachey\">Lytton<\/a>, Joan Pernel,&nbsp;<a href=\"https:\/\/en.wikipedia.org\/wiki\/Oliver_Strachey\">Oliver<\/a>, Dick, Ralph,&nbsp;<a href=\"https:\/\/en.wikipedia.org\/wiki\/Pippa_Strachey\">Philippa<\/a>, Elinor,&nbsp;<a href=\"https:\/\/en.wikipedia.org\/wiki\/James_Strachey\">James<\/a>.<\/figcaption><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Woolf&#8217;s first reference to Dorothy appears to be in a diary entry on <em>Saturday 14 June 1919<\/em>; made upon visiting with her (and her sister-in-law <a rel=\"noreferrer noopener\" href=\"https:\/\/en.wikipedia.org\/wiki\/Ray_Strachey\" target=\"_blank\">Ray Strachey<\/a>) in Hampstead and, as all the Strachey family, she will turn up again over the years in Woolf&#8217;s diary and correspondence. Bussy&#8217;s only novel, <a rel=\"noreferrer noopener\" href=\"https:\/\/en.wikipedia.org\/wiki\/Olivia_(Bussy_novel)\" target=\"_blank\"><em>Olivia<\/em> (1949)<\/a>, cited by Aciman &#8211; a lesbian schoolgirl narrative; an experience it is presumed she is not unfamiliar with &#8211; was in fact published by Hogarth Press, albeit eight years after Woolf&#8217;s death, and was dedicated (or so says Wikipedia) &#8220;to the very dear memory of Virginia W.&#8221; I should say, Aciman says &#8220;nothing happens&#8221; in the novel he recommends, but unlike the dull <em>Mrs. Dalloway<\/em> that seems enough.  Further, <a rel=\"noreferrer noopener\" href=\"https:\/\/www.penguinrandomhouse.com\/books\/608104\/olivia-by-dorothy-strachey-introduction-by-andre-aciman\/9780143134404\" target=\"_blank\">a new Penguin Classics edition<\/a> was published in June, in which he writes an introduction, and one wonders whether he approached Penguin or vice versa, and whether a little bit of marketing wasn&#8217;t going on here. Just a suggestion. Irrespective, any Strachey interests me, so I certainly intend to read <em>Olivia<\/em>; now credited to Dorothy Strachey. Thanks for the tip, Mr. Aciman! (My tip: the <a rel=\"noreferrer noopener\" href=\"https:\/\/www.penguin.co.uk\/books\/1074971\/olivia\/9780099511885.html\" target=\"_blank\">Vintage UK edition<\/a> is a bit cheaper, at least on Amazon outside the US.)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">And in the same segment, Mr. Aciman announces the virtues of another great &#8220;unread&#8221; &#8211;  <em>La Princess de Cl\u00e8ves<\/em> by Madame de La Fayette &#8211; Woolf loved this, though she only wrote about it in passing &#8211; in her <a rel=\"noreferrer noopener\" href=\"http:\/\/www.gutenberg.net.au\/ebooks15\/1500221h.html#ch19\" target=\"_blank\">&#8220;On Rereading&#8221; essay<\/a> for instance. In my reading notes of <em>Volume 2<\/em> of Woolf&#8217;s diary <a rel=\"noreferrer noopener\" href=\"https:\/\/stolb01web.ddns.net\/wordpress\/?page_id=2651&amp;page=4\/#cleves\" target=\"_blank\">I make reference<\/a> to her <em>February 18 1922 <\/em>entry, and include an excerpt which clearly illustrates her enthusiasm for <em>La Princess.<\/em> Though, I am not that sure, it is is as so &#8220;unread&#8221; as Aciman suggests &#8211; certainly not in France, and I thought it to be also well known in wider feminist literature studies. Fortunately, for the interested, <em>La Princess de Cl\u00e8ves<\/em> <a rel=\"noreferrer noopener\" href=\"https:\/\/en.wikisource.org\/wiki\/The_Princess_of_Cleves\" target=\"_blank\">is easily found on the internet<\/a>. <\/p>\n\n\n\n<p class=\"wp-block-paragraph\" id=\"sterne\">Finally, Aciman&#8217;s favourite book to assign students. Here, he nominates Laurence Sterne&#8217;s <em>A Sentimental Journey<\/em>, for which Virginia Woolf <a href=\"https:\/\/blog.oup.com\/2013\/03\/virginia-woolf-on-laurence-sterne\/\" target=\"_blank\" rel=\"noreferrer noopener\">wrote an introduction <\/a>for the 1928 Oxford World\u2019s Classics edition (<a rel=\"noreferrer noopener\" href=\"http:\/\/gutenberg.net.au\/ebooks03\/0301251h.html#e07\" target=\"_blank\">also included<\/a> in <em>The Common Reader Second Series)<\/em>, and which begins with her observation that maturity grants a writer certain privileges &#8211; with language and composition. I make the observation that at the time this essay was written, being just a couple of years after <em>Mrs. Dalloway<\/em> was published, Woolf was of an age such that she too had granted herself permission to be messy &#8211; to write what was in head; messy, as I said. It is a riddle to me how Sterne can be so admired and not Woolf. Maybe it is only <em>Mrs. Dalloway<\/em> that Aciman dislikes; but why do I think otherwise? He didn&#8217;t qualify his verdict, but Woolf certainly possessed some prejudicial traits that are not easy to disregard by everyone.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Listening to BBC Radio 4 this morning, as I mostly do, and with various degrees of attention, I caught up with, for the first time in quite a while, Melvyn Bragg&#8217;s long running cultural programme &#8220;In Our Time&#8221; &#8211; the topic: Fernando Pessoa. This, a name, ringing somehow familiar, but hard to place. May I &hellip; <a href=\"https:\/\/stolb01web.ddns.net\/wordpress\/?p=7114\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;When one thing leads to another&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[3,25,22],"tags":[],"class_list":["post-7114","post","type-post","status-publish","format-standard","hentry","category-books","category-mrs-dalloway","category-virginia-woolf"],"jetpack_featured_media_url":"","jetpack-related-posts":[],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/stolb01web.ddns.net\/wordpress\/index.php?rest_route=\/wp\/v2\/posts\/7114","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/stolb01web.ddns.net\/wordpress\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/stolb01web.ddns.net\/wordpress\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/stolb01web.ddns.net\/wordpress\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/stolb01web.ddns.net\/wordpress\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=7114"}],"version-history":[{"count":44,"href":"https:\/\/stolb01web.ddns.net\/wordpress\/index.php?rest_route=\/wp\/v2\/posts\/7114\/revisions"}],"predecessor-version":[{"id":12869,"href":"https:\/\/stolb01web.ddns.net\/wordpress\/index.php?rest_route=\/wp\/v2\/posts\/7114\/revisions\/12869"}],"wp:attachment":[{"href":"https:\/\/stolb01web.ddns.net\/wordpress\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=7114"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/stolb01web.ddns.net\/wordpress\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=7114"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/stolb01web.ddns.net\/wordpress\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=7114"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}